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A synthesis of modern and traditional Knowledge of Sound and Music
and its therapeutic, cathartic, educational, psychological and
aesthetic effects on the human being.

It is a discipline (Science-Art) that integrates and highlights the
Sonic origin of Life, both in the global and psycho-physical levels
of the human being, expressing itself through Speech (articulated
sound) and Music, significant tools of a Language capable of
educating and promoting a catharsis of self-realisation and harmonic
human relations.
From the Knowledge of ancient musical cosmologies (Indian, Chinese,
Greek and other world traditions) and its journey from the
Renaissance to the present day - where quantum physics rediscovers
the vibrational tissue that the world is composed of – are derived a
series of practices and coherent experiences that educe how the
physical, emotional, mental and spiritual organism is a true Ear,
able to sense the audible and inaudible, and at the same time
transmit harmonic resonances.
“Deeply listening to music opens up new avenues of research I’d
never even dreamed of. Because of what you’ve shown me this
afternoon – not just what you’ve said, but what I have actually felt
and experienced – I feel from now on music should be an essential
part of every analysis. This reaches the deep archetypal material
that we can only sometimes reach in our analytical work with
patients. This is most remarkable.”
Carl Gustav Jung

The education in the Science-Art of Euphony implements a pedagogical
method made up of models, modules and harmonic structures of
learning (maieutics), that allow us to discover the sense and
meaning of Music as an energetic and vital network, whose language
is a substrate of experiences, perceptions, knowledge and intuitions.

Every euphonic experience is complete in itself and contains a
harmonic quantity of knowledge. From the point of view of attention,
the patterns of interior listening constitute synthetic experiences
in which science, beauty and poetry coexist as cognitive doors. It
is from experience that the most important theories, doctrines and
methods of fulfilment arise.
A movement, the action of breathing followed by a fluid
concentration, a vibrating sound in space, can give us joy and long-lasting
well-being, while consciousness increases and expands.
The sensorial point of departure helps us to acquire greater
familiarity with a complete world such as the one of Sound, but the
effects do not cease with auditive perception. Every sound is like
the sheath of a seed, and the harmonics represent the content, full
of potential life.
The true meaning of Life cannot be verbalised, because it does not
belong to the sphere of articulated language. In some way, the
usefulness of the word resides more in the intention and in the
lived experience rather than in the mere pronounced sound. The
reason behind it is an essential factor in human communication. This
way the experience becomes transmittable even if, in the meantime,
everyone of us has to realise it. The sounds transmit to us all the
forms of experience, allowing us to envision clear paths, uncover
unexpected pathways, know reality as it is and cross vital
thresholds. A world of imperturbable serenity and powerful
remembrance is manifested in a myriad of present moments. The
resounding points of contact become psychological bridges of wisdom.
The daily situations lived-out with a euphonic conscience grow in
intensity thanks to our personality, that allows itself to be played
like a tuned musical instrument. The removal of blocks becomes real
and tangible so that we begin to feel like active participants of
the orchestra of nature, enabling us to hear constantly renewed
symphonies.
Nothing can replace the perfume of the experience, just as nothing
can be achieved by postponing the appointment made with ourselves.
The world shows itself to be full of meaning when our anxieties,
difficulties, complexes and frustrations emerge from the abysses of
our seas, to be faced without hesitation and melted with balance. In
reality, we are the ones to take possession of ourselves and
discover a central axis that behaves like a string. It is enough for
it to assume its right and conscious position so that every
experience/sound can evoke some distant memories, from all of the
sounds produced and lived, up to those that lie in sleep, waiting
for the musician that is within us.
With an active and energetic calm, the string finds its harmonic
alignment again, which excessively exterior habits had obscured. The
inside and the outside are no longer separated. The space is
transfused through the subtle membrane of the personality.
The Music of the experience becomes audible, the only thing
incapable of deceit.
Euphony is no longer just a word.
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